Now It Was Once Again a Book on a Shelf. Our Count of Enchanted Objects Had Diminished by One
Because The Smashing Gatsby is nine chapters long, getting to Chapter v ways that we've arrived in the exact middle of the story. Thus, it makes sense that this chapter takes a unmarried event - Daisy and Gatsby'south perfectly romantic reunion - and uses it to both tie together everything that has been fix so far, and too to create such a delicate balance of safety and happiness that it's clear that everything will shortly crumble.
Just before the bubble of love pops, relish the globe'southward most magical, almost carefully planned "accidental" appointment.
Quick Note on Our Citations
Our commendation format in this guide is (chapter.paragraph). We're using this system since there are many editions of Gatsby, so using page numbers would only piece of work for students with our copy of the book. To find a quotation we cite via chapter and paragraph in your book, you tin either eyeball information technology (Paragraph ane-50: beginning of chapter; fifty-100: heart of chapter; 100-on: end of chapter), or utilise the search function if yous're using an online or eReader version of the text.
The Great Gatsby: Chapter v Summary
Nick comes home to detect all the lights on in Gatsby's mansion. Gatsby wants to hang out, simply clearly but because he wants to know what Nick has decided well-nigh asking Daisy for tea. Nick is happy to do it, and they plan for a mean solar day afterward Gatsby has had a chance to get Nick's backyard cut.
Gatsby so makes a totally out of place proposal to practise some bond business with Nick (whose job is selling bonds, and who doesn't seem peculiarly skillful at it or invested in it). Nick is uncomfortable about the quid pro quo (that's Latin for "something for something" - in other words, a transaction) feeling of the deal and declines.
The side by side solar day, Nick invites Daisy to tea, and cautions her non to bring Tom.
Gatsby sends someone to mow the lawn, orders a huge number of flowers, isn't thrilled with Nick'southward sad tea and cakes selection, and worries that the twenty-four hour period volition be ruined considering it's raining. He then freaks out at the concluding second that Daisy isn't coming, but just then she pulls up in her machine.
Gatsby and Daisy run across in Nick'south living room in the almost bad-mannered, strained, and tense scene imaginable. It's unclear whether either one is happy to see the other. They are unable to speak 2 words.
When Nick tries to leave them solitary, Gatsby panics and tries to leave also. Nick calms him down, and then stands outside in the rain for an hr to requite Gatsby and Daisy some privacy. When he returns, the ii are totally unlike – no longer embarrassed, much calmer, and Gatsby is actually glowing.
Gatsby all of a sudden brags that information technology but took him iii years to earn the money to purchase his mansion. Nick calls him out on this since before Gatsby had said he had inherited his wealth. Gatsby quickly says that the inheritance was lost in the financial panic of 1914 and that he'due south been in several businesses since then.
Daisy and so exclaims that she loves Gatsby's giant mansion (she tin can see it out of Nick's window). They get over to Gatsby'southward, and he shows them around the now empty house, never taking his optics off Daisy and her reaction to his things.
Gatsby is completely overwhelmed past Daisy's presence. He is overcome with feelings that he tin't fifty-fifty put into words.
Gatsby opens a chiffonier and starts pulling out piles of shirts and throwing them onto a tabular array. Every kind of shirt color and design imaginable stack higher and higher on this table until Daisy puts her head into the shirts and starts to cry well-nigh their beauty.
It starts raining again, and Gatsby shows Daisy that her firm is directly beyond the bay from his.
Nick sees a photograph of Dan Cody, who Gatsby says used to be his best friend until he died.
Gatsby shows Daisy a bunch of newspaper clippings well-nigh her that he's been collecting (she would take been featured in the gossip pages that described fancy parties and rich people's society). He gets a phone telephone call nigh Detroit but hangs up quickly. This is the first fourth dimension that he hasn't excused himself to take a phone call in the novel.
Nick tries to leave again, but is again roped into staying. Gatsby asks Ewing Klipspringer, a guest who apparently is but always at the house, to play the piano for them. He plays a comical love song.
Nick finally says goodbye and leaves. As he does, he sees Daisy whisper in Gatsby's ear, and imagines that her siren-like voice holds him in thrall.
Daisy's constant shirt-inspired weeping has now gotten her banned from Brooks Brothers.
Key Chapter 5 Quotes
"You're selling bonds, aren't you lot, old sport?"..."Well, this would interest you. It wouldn't take up much of your time and you might pick up a nice fleck of money. It happens to be a rather confidential sort of thing."
I realize now that nether different circumstances that conversation might have been i of the crises of my life. But, because the offering was patently and tactlessly for a service to be rendered, I had no choice except to cut him off there. (5.22-25)
Nick recognizes that what he rapidly dismissed in the moment could easily have been the moral quandary that contradistinct his whole future. It seems that Nick thinks this was his chance to enter the world of crime – if we assume that what Gatsby was proposing is some kind of insider trading or similarly illegal speculative activeness – and be thus trapped on the East Coast rather than retreating to the Midwest.
It's striking that Nick recognizes that his ultimate weakness – the thing that can actually tempt him – is money. In this manner, he is different from Gatsby, whose temptation is love, and Tom, whose temptation is sex – and of course, he is as well different considering he resists the temptation rather than going all-in. Although Nick's refusal could exist spun as a sign of his honesty, information technology instead underscores how much he adheres to rules of politeness. After all, he only rejects the idea because he feels he "had no choice" well-nigh the proposal considering it was "tactless." Who knows what shenanigans Nick would have been on lath with if only Gatsby were a lilliputian smoother in his approach?
He had passed visibly through 2 states and was entering upon a third. After his embarrassment and his unreasoning joy he was consumed with wonder at her presence. He had been full of the thought so long, dreamed it right through to the end, waited with his teeth set, so to speak, at an inconceivable pitch of intensity. At present, in the reaction, he was running down like an overwound clock. (5.114)
On the one paw, the depth of Gatsby's feelings for Daisy is romantic. He's living the hyperbole of every honey sonnet and torch vocal ever written. After all, this is the first time we encounter Gatsby lose command of himself and his extremely conscientious self-presentation. But on the other hand, does he actually know anything about Daisy as a human existence? Notice that it's "the idea" that he's consumed with, not and so much the reality. The give-and-take "wonder" makes it sound like he'due south having a religious experience in Daisy's presence. The pedestal that he has put her on is then incredibly high there's nothing for her to do just show disappointing.
Daisy put her arm through his abruptly but he seemed absorbed in what he had simply said. Possibly it had occurred to him that the colossal significance of that light had now vanished forever. Compared to the great distance that had separated him from Daisy it had seemed very near to her, nigh touching her. It had seemed as shut equally a star to the moon. Now it was once more a green calorie-free on a dock. His count of enchanted objects had diminished past i. (5.121)
Almost immediately when he'southward finally got her, Daisy starts to fade from an ideal object of desire into a real life human beingness. It doesn't fifty-fifty affair how potentially wonderful a person she may be – she could never live up to the idea of an "enchanted object" since she is neither magical nor a thing. In that location is also a question hither of "what'south next?" for Gatsby. If you accept only one goal in life, and yous terminate up reaching that goal, what is your life's purpose now?
Is Gatsby more in love with the idea of dear than with the actual homo he obsesses over?
The Bully GatsbyChapter 5 Assay
Now let's consider how this chapter plays into the book as a whole.
Overarching Themes
Love, Desire, and Relationships. After an earlier affiliate of Tom and Myrtle together, we get a chapter of Daisy and Gatsby together. At first glance, the pairs are diametric opposites. Tom and Myrtle are crass and vulgar, constantly chattering about nothing, driven by materialism and physical desire, without a drop of love or romance between them. On the other hand, Gatsby and Daisy are modest and embarrassed, almost speechless, overwhelmed past feelings, and have a physical comfort with each other that Tom doesn't inspire either in Daisy or in Myrtle (both of whom he physically hurts in varying degrees). Gatsby'southward dear for Daisy has an otherworldly quality that is several times described in either mythic or religious terms. But already the chapter anticipates that elevating the relationship to such heights makes a fall almost inevitable.
Morality and Ethics. Nick is tempted by what he later on comes to realize is the moral quandary of his life. Twice, Gatsby offers to do some kind of concern with him. At that place are two ethical challenges in this offer.
- First, Gatsby is suggesting that Nick needs to exist paid for services rendered – that asking Daisy to tea and letting Gatsby encounter her at Nick'southward house is a transaction that needs to be reimbursed somehow. This casts an oddly pimp-and-prostitute vibe on what Nick is being asked to practise, which would dispel some of the fairytale romance that Gatsby is ostensibly going for.
- 2nd, since information technology comes on the heels of their run across with Mr. Wolfshiem, Gatsby's concern proposition is most likely illegal (Insider trading? Speculation? Printing fake bonds? There are several possibilities.). It connects Nick to the lawless criminality that in this novel is associated with the new "Wild Eastward."
Symbolism: Gatsby'due south Shirts. Gatsby showers Daisy with his array of exquisite shirts in a display that is at the same time self-congratulation and likewise a submissive plea. On the one hand, this odd moment is like a male bird's complicated mating dance – the shirts are the peacock's plume. These shirts are a visual representation of how far Gatsby has come – he tin can literally encompass Daisy with his riches. But on the hand, the desperate way he shows them off ties into Nick'south observation that "think he revalued everything in his firm according to the measure of response it drew from her well-loved eyes" (5.111). He wants her approval and is putting all of himself out there for her to pronounce judgment on.
Motifs: Conditions. For the first fourth dimension, the novel dwells at length on an extreme weather condition event. The intermittent downpour sometimes limits and sometimes facilitates Daisy and Gatsby'south afternoon together. The pelting allows for moments of physical comedy. For example, Gatsby's plan to "accidentally" drop by Nick's house during tea with Daisy falls apart when he makes his appearance soaking wet (meaning that he obviously wasn't simply trying to visit Nick – who would do that in that kind of weather?).
The rain likewise creates physical and emotional boundaries, allowing Daisy and Gatsby to stay in their private world. Literally, this happens when they can't tour the mansion's grounds and take to stay in his house. But more than importantly, this happens when the rain creates a mist that hides Daisy's house beyond the bay from view. She doesn't take to recollect about her wedlock or her daughter – she can be with Gatsby surrounded by magical-sounding "pink and golden billow of foamy clouds" (5.134).
Every bit before long as one magical light feel (the light-green dock lite) goes stale, Gatsby replaces information technology with another (sunlit rain clouds). Maybe he just needs a lamp.
Crucial Character Beats
- Nick agrees to invite Daisy over for tea and an "accidental" meeting with Gatsby. He is able to resist the offer to do business with Gatsby.
- Daisy and Gatsby finally come across! Information technology's awkward and horrible at commencement, but after an 60 minutes alone together both of them seem very happy. So, the trio goes to tour Gatsby's mansion. Gatsby is overwhelmed by Daisy's presence and is nigh manic. He throws piles and piles of his shirts in forepart of her until she cries at how cute they are.
- Nick keeps trying to go out Gatsby and Daisy alone, but keeps being roped dorsum into their company. Compare this to the mode he was trying to get away from Tom and Myrtle in Affiliate 2 and also forced to stick effectually.
- Daisy and Gatsby are left alone together, conspicuously full of feelings for each other, and in their own little globe.
What's Adjacent?
Laugh at a drenched, umbrella-less Gatsby in the most recent movie adaptation - information technology'due south one of the few physical comedy bits in the novel, and that picture gets information technology just right.
Explore the chapter's other key symbol: the light-green lite on Daisy'southward dock.
Review the affiliate's chief motifs: the rainy weather, and the conspicuous lack of alcohol.
Move on to the summary of Chapter 6, or revisit the summary of Chapter 4.
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